Ebook Free Blindspot: A Novel, by Jane Kamensky, Jill Lepore
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Blindspot: A Novel, by Jane Kamensky, Jill Lepore
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BONUS: This edition contains a Blindspot discussion guide.
Stewart Jameson, a Scottish portrait painter fleeing his debtors in Edinburgh, has washed up on the British Empire's far shores—in the city of Boston, lately seized with the spirit of liberty. Eager to begin anew, he advertises for an apprentice, but the lad who comes knocking is no lad at all. Fanny Easton is a fallen woman from Boston's most prominent family who has disguised herself as a boy to become Jameson's defiant and seductive apprentice.�
Written with wit and exuberance by accomplished historians,�Blindspot�is an affectionate send-up of the best of eighteenth-century fiction. It celebrates the art of the Enlightenment and the passion of the American Revolution by telling stories of ordinary people caught up in an extraordinary time.
- Sales Rank: #626115 in eBooks
- Published on: 2008-12-03
- Released on: 2008-12-09
- Format: Kindle eBook
From Publishers Weekly
Professors Kamensky and Lepore try for playful historical romance, but deliver instead a novel that is, if rich in period detail, also overwrought, predictably plotted and at times embarrassingly purple. The year is 1764 and portrait painter Stewart Jameson has been chased by debtors from his native Scotland to Boston, where he quickly opens shop and takes an apprentice, the half-starved orphan, Francis Weston, who turns out to be Fanny Easton, the disgraced daughter of one of Boston's leading citizens. Stewart does a good business with Boston's better class, which puts Stewart and Fanny in a good position to solve the murder of an abolitionist. They are joined at this task by Stewart's old friend from Edinburgh, Dr. Ignatius Alexander, a university-trained runaway slave. The mystery plays out with little surprise; rather, the narrative is driven by Alexander's hatred of slavery and by Stewart and Fanny's tawdry relationship. Unfortunately, however, both of these lines prove awkward, and while students of the era may find enough period detail to carry them through, the cheesy plot and facile characterizations are likely to turn off most readers. (Dec.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
A tribute to—and a send-up of—18th-century melodramas, Blindspot addresses 21st-century themes while mimicking the bygone era's literary techniques: first-person, epistolary narratives; adventure-studded storylines; and sensational plot twists, including mistaken meanings, hidden identities, and unexpected revelations. At the same time, Kamensky and Lepore skillfully capture the contrasts of early American history, particularly the colonists' struggle to free themselves from British tyranny while blithely ignoring the growing African slave trade (Colonial America's "blindspot"). Most critics were charmed by this witty, irreverent novel, though a couple expressed concerns over its length and overplotting. Despite the San Diego Union-Tribune's admitted aversion to 18th-century literature, history buffs, fans of early fiction, and readers in search of a fun and clever book will thoroughly enjoy Blindspot.
Copyright 2009 Bookmarks Publishing LLC
Review
Advanced Praise for Blindspot
It may justly be said in its Praise, without Flattery to the Authors, that it is the most Extraordinary Piece that ever was wrote in America.
—Benjamin FRANKLIN, author of the classic Autobiography (1790)
Was there ever yet any thing written by mere man that was wished longer by its readers, excepting Don Quixote, Robinson Crusoe, and Blindspot?
—Samuel JOHNSON, compiler of the best-selling Dictionary (1755)
A Piece of this Kind is much wanted in the World, which is but too much, as well as too early, debauched by pernicious Novels.
—Samuel RICHARDSON, author of the debauched novel Pamela (1740)
A good Book is a Lesson to all its Readers, and of far greater use to the Circle of its Acquaintance than a good Man. Such is this ingenious and romantick Adventure.
—Henry FIELDING, author of the still more debauched parody Shamela (1741)
I will tell you in three words what the book is. —It is a history.—A history!
—Laurence STERNE, acclaimed author of Tristram Shandy (1759), and no mathematician
A most inimitable Performance! Who is he, what is he, that could write so excellent a Book?
—John PUFF, the prolific author of very many eighteenth-century blurbs
Most helpful customer reviews
42 of 43 people found the following review helpful.
A rolicking romp
By A reader
Full disclosure: I am an English teacher and an American history buff (some might say geek) and I ordered this book for three reasons: I enjoyed New York Burning, by one of this book's coauthors, Jill Lepore; I like a nice, racy 18th-century novel; and I was intrigued to learn whether two history professors could team up to write a plausibly entertaining novel in 18th-century style. So I suppose you could say I'm not really the average reader.
Given my predilections, I knew that I would enjoy the book even if it was not so great. Fortunately, it really was tremendous fun and I enjoyed the book even more than I anticipated I would. From my perspective, the book is a lark and can therefore be forgiven some of the shortcomings in weightiness that some other reviewers have objected to. While it touches upon some complex themes from American history (slavery, class, disempowerment of women), the novel does not set out to change the world or even to offer serious food for thought on these issues, which provide a context for the main story line rather than a foundation for it. Rather, the novel is primarily a love story, and this love story, in the best Shakespearian tradition, features cross dressing and mistaken identity. The most enjoyable part of the book is the cat-and-mouse play between the disguised woman and her libertine love interest before her true identity is revealed. Because he swings both ways and she makes a comely lad, he is burning with desire for her even as she lusts after him. Needless to say, this ardent desire is teased out in a number of steamy scenes before climax is finally reached.
Like some other reviewers, I found the unveiling of the solution to the murder mystery to be somewhat strained and the character of the cross-dresser's father to be rather inexplicable. On the whole, though, I was absorbed by the book as I read and will remember the experience fondly. I suppose the book is not for everyone, but if you have a soft spot for 18th-century ribaldry, this novel will not let you down.
12 of 15 people found the following review helpful.
21st century minds, 18th century bodies, 19th century references
By Scissors
When I realized that the three main characters in this historical novel set in the 18th century thought and acted like our contemporaries, I thought the scholarly writers were enjoying a deliberately incongruous romp, and romped along with them. But the novel soon becomes tedious, the characters too ungrounded. One character channels Sherlock Holmes, another quotes Bronte, and supposed Puritans quote Shakespeare as a moral authority. Oh, come on, Professors Lepore and Kamensky -- you could do better. Blindspot lacks the rewards of historical fiction -- the sense of visiting another time, or history animated. It yields little sense even of the colonial city where it is set. The detective plot is uncompelling. I dropped out before the murder was solved. I just didn't care. Very disappointing.
52 of 71 people found the following review helpful.
Out Damn'd Blindspot
By Daniel Myers
This book serves as an excellent reminder of why academics, secluded in the ivory tower, should stay so secluded and not venture out into the realm of "historical fiction," especially when they do so in tandem with an academic friend from another ivory tower. To indulge in alliteration, Blindspot is a purple pastiche of period pamphleteering. I wonder if these gushing Vine reviewers have read any of the classic authors in this genre of the time: Fielding, Smollett et alia. Their reviews do indeed seem as if they were written by the same "John Puff, Esq." who pays homage to this book on its back cover.
To be more specific, this book is far too long, too predictable, too studiedly purple, and, above all, too coy by more than half to be enjoyable. Also - though I'm not supposed to point the numerous errata out in an ARC, there is one erratum I hope was duly corrected - that of the dog Gulliver's being in two places at once at one point in the narrative. Since Gulliver is apparently based on one author's own dog, one can only hope that she caught this canine violation of the time-space continuum.
What else to say? Oh yes, if you must needs read fiction of this sort, READ THE REAL THING: Tom Jones, The Adventures of Roderick Random, even Shamala (mentioned herein) are far, far more engaging reads then this very silly book. - Two stars, but only because I fully admit to being a sap for anyone who quotes at length one of my favourite thinkers, David Hume.
Now, I shall sit back and wait for the "unhelpful" votes to roll in, probably some spiteful comments too, I shouldn't wonder.
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